199 Royalty-Free Audio Tracks for "Sine Wave"

Some c0 16. 35hz sine drawed in audacity with mouse hand free with no correction of the irregularities, looping, an envelope drawed manually as well, like for the original graphical pixel art obscur principles, except some slight eq filtering.

Glitch sfx #1. Modify/use however you want. I made this by playing a couple sine waves on different notes, then i added a fruity waveshaper to add harmonics whenever one of the sine waves clips, then filtered out the original sine waves, leaving you with the distorted harmonics you have here. Made with fl studio 12, massive, waveshaper, and edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.

Two sines whose phase is changing so you can hear how they can sum.

A reel-to-reel tapecorder with the record switch on. Time has not been kind to the device, and now a loud sine wave pulses through the speakers when recording with it.

A simple 440 hz tone (sine) created in audacity. Or at least that's what it's supposed to be. . . For some reason, when i uploaded it, it sounded all distorted.

A digital, old-school gaming style bounce, generated with a sine wave.

Made in abletoni used a sine wave an lfothen i used all presets in the plugin, "amp".

I generated a 440 sine wave in audacity and heavily processed it. It sounds like a radio that is breaking up.

Sound track generated in reason 3. 0 - subtractor and redrum. Bass drum uses a combination of a sine wave and a triangular wave. Played at 140bpm.

An alarm i made in sylenth by distorting a sine wave mixed with a triangle wave. I then notched stuff out in eq, distorted it further and added reverb.

Generated in audacity by applying the vocoder effect to a sine-wave tone from a spoken work, "yes", recording and then removing the voice component. A short sine-wave tone was then appended to the end of each pulse to create a futuristic heartbeat sound. File available in. Wav,. Mp3, and. Aiff formats.

A kick drum did to my psytrance project called sonicmancer. I use u-he bazzile, filter resonate envelope in a sine wave. Hope u enjoy. Send me the track u did using this. . . I wanna listen =).

Example of a simple sine wave that is timed by limiting the number of samples. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.

Its a sine wave folded 4 times by a cgs inspired wavefolder module (kinda like the metalizer from the minibrute). The whole thing is then modulated with an external function generator that controls amount and frequency of modulation. This is what came out and it's pure junky drone noises, so goddamn nasty. Absolutely love them. Feel completely free to sample this and use it for your own purposes. This is a diy synthesizer i'm building and unfortunately it is still a prototype, but i'm gonna finish it soon and hope to sell it. Cool indeed, isn't it?.

1k generated sine wave, 120ms long. Typical nagra beep that you find between takes on a blooper reel. They used to place a couple of these between takes recorded to analog tape in order to differentiate between multiple takes when fast forwarding.

A synthesized drum kick. Is really a sine wave (obviously) with pitch modulation, and a low noise on the beginning of the sound.

Atmosphere with horn very low pitch make it. Mutated synthetic sounds with pro tools tdm plugins.

Listen with secure stereo headphones. The first wave sounds mono; it should appear as though the sound is coming from the center of your head. In the second wave, the right channel has been inverted--otherwise identical. That should sound as though there are two distinct sounds coming from either ear.

Comp-master 1. 7 band eq-telephone. Effector-lo fi. Delay-short analog. C4. Tempo140.

A very short electronic impulse with a buzz component. Created by making a sine wave sweep in symsynth and edited in soundforge.

This sound clip was made with sony sound forge, sine wave hydrogen drum beats and a pitch changed piano clip p1. Wav uploaded by sleep.

A test tone that can be used for final mix for tv and other similar media. It contains 10 seconds of silence and then 30 seconds of a 1khz test tone (sine wave) with the digital level set at -6dbfs. Uploaded as 24/48 wav for post production work. See http://en. Wikipedia. Org/wiki/dbfs for some details on analogue alignment levels.

This was made using a sine wave, reverb, and distortion. The outcome was exported with a sample rate of 16000 and a bitrate of 16 kbps.

This sound was made in audacity using three different sine wave frequencies set to 200% speed. It is designed to loop seamlessly.

Bew bew i dont know what to say more bew bew bew bew bew bew bew bew.

An augmented fifth in just temperment. The first tone is a sine wave of 300Hz, the second is 468.75 Hz, the third is the interval. Made with NCH tone generator

I made this using two oscillators in native instrument's fm8 synth. There is nothing too fancy, just two sine waves played out the same output, but one has an offset of 440hz, and the second oscillator has an offset of 330hz. I then just played two notes that didn't sound too dissonant, and then ran it through some low-fi processing.

Fostex 31801980's spring reverb studio effect. Impulse response taken with sine wave sweep and deconvolved using reaper. 44. 1khz 24-bit flac.

This is the sound of a tuning fork (a little less than 440hz), which i recorded using a guitar pickup. I used this sound for coursera course "audio processing for music applications".

This tone is 485hz, slightly below the note b3 (493. 8hz). It's roughly the same frequency of the b tibetan bell in this package. End and start are well glued into a continuous wave (tested in unity 3d). Made with audacity.

A simple ringtone from star trek: into darkness created with after effects. It was simply a sine wave produced in adobe after effects, edited with a few volume adjustments.

Creategenerate sine wave tone, frequency = 340. 00 hz, amplitude = 0. 80, 30 secondsduplicatedapplied effect wahwah…frequency = 4. 0 hz, start phase = 280 deg, depht = 92%resonance = 6. 9 frequency offset = 30%applied effect : tremolodeleted 30 seconds at t = 0. 0generate sine wave tone, frequency = 330. 00 hz, amplitude = 1. 00,30 secondsapplied effect wahwah… frequency = 1. 5 hz, start phase = 359 deg, depht = 33%, resonance = 6. 9, frequency offset = 30%duplicatedtime shifted tracks/clips right 0. 61 secondsmixed and rendered 2 tracks into one new mono trackapplied effect : tremoloapllied effect : apple : audistortionapplied effect : valve saturationapplied effect sliding time scale/pitch shiftduplicatedgenerate sine wave tone, frequency = 120. 00 hz, amplitude = 1. 00, 22. 000000 secondsdeleted 44. 91 seconds at t = 0. 00mixed and rendered 2 tracks into one new mono trackapplied effect: compressornormalize to 0 db.

Done by sound forge fm synthesizer. Basically four added sine waves, each has some percentage of self-modulation(feedback). The sound effects chain applied over the initial sound is: reverb, chorus, upward compression(sound forge wave hammer), pitch shift(down) and finally vibrato, to simulate a varying speed tape machine.

I generated a sine wave with audacity, and applied the wahwah and phaser effects multiple times with different settings. I don't know what i would use this for, but it's fun to listen to.

1000 Hz tone, created by Denelson83 Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

Low pitch bass drum. I've recorded some cutoff and resonance on a basic sine wave kick drum patch i created with strobe2 synth. You don't have to provide attribution or anything, but please let me know how you like my sounds here or via twitter @tailorvj.

I made a project in cubase which had 12 tracks each playing a sine wave in a different note of the chromatic scale, each sine wave also had slightly varied lfos on volume and pitch. Then i put this sound through the soundtoys crystallizer plug and recorded it while manipulating various parameters. Ended up with 3 minutes of crazy glitched out sounds, use for anything you like!. It gets pretty out of control at some points so don't have your speakers up too loud :).

A sound file playing the interval of an augmented fifth, in equal temperment. The first tone is a sine wave at 300 Hz, the second is at 476.1 Hz, the last is the interval. Made with NCH Tone generator.

A subbass sine wave with a slow throb volume envelope and some panning action, designed to work well as a loop or a sample. Created with ableton and audacity.

First, a 440hz tone will play on the LEFT side. Then, it will stop and play a 440hz tone on the RIGHT side. This is for testing which side is which, and if your stereo system is working properly.

Basically i connected one lfo to the polivoks in. Now when i think of it. Wonder if that added something…. And how much. And to cv1 i connected a square wave and to cv2 a wide frequency sine wave. Resonance at max. Think i have to reanalyse this patch later… i’ll be back!.

A simple sine wave beep running through soft saturation and modulation, then being exported deliberately at 8khz and 8bit to simulate the low quality of a phone call. Use this as a standard beep sound coming through a phone speaker. The latter half is a little faster to enable a simulation of hanging up or the call being rejected.

This is a looper i made in cubase with a vst instrument called rubber duck. Added a reverb and delay. It runs over several breaks at 112bpm. Hope you enjoy :).

Set computer volume level at normal. Using headphones or your speakers, play each tone, gradually decreasing the volume until you cannot detect it. Note the volume setting (i know, this isn't easy if you don't have a graduated control, but you can make some arbitrary levels using whatever indicator you have on your os). Repeat with next tone. Try the test with headphones if you were using your speakers, or vice versa. Fyi: http://en. Wikipedia. Org/wiki/hearing_range.

Future bass supersaws, created with xfer serum in reaper. Decided not to use this chord progression for my track, but perhaps it can be of use to someone!. License: cc0.

This sound was created as follows:. -zynaddsubfx free (and insanely amazing) software synthesizer generated simple g tone using a sine-wave adsynth engine- creative sbs 250 speakers played it back distorting the sound naturally and adding some interesting stereo phasing effects (is that caused by analog signal cable being longer for one speaker?)- i was manually changing the volume using the speaker's potentiometer (whitch is dirty and added some interesting noises on the right speaker, and also at peak loudness during the 54th second the right speaker is quiet)- the output was captured by zoom h2's rear mics- and recorded via usb into audacity free audio editing program- i exported the recording as 16-bit flac.

I have created a synth pitch on the daw renoise which sounds similar with the magnet from transformers 4. I hope you like it and use it :).

Bass warning!a 13second sinewave, the tone sweeps up from exactly 20hz to 190 hz then stops. It was recorded in logic pro & i use it from time to time to do sub sweeps. If your speakers are loud please don't have them cranked up without hearing low first.

A recreation of the sound effect made when a communicator beeps. This is not the same as the "chirp" made when the communicator is flipped open, but the "ringtone. ". A simple sine wave at the appropriate frequency, beeped twice.

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.